Seafood Market — the central counter from the dining room
Case study · Market & restaurant · Baja California · 240 m² · 2023

Seafood Market.

The brief
A market
you can sit in.
The challenge

Two businesses that usually cancel each other out: a fish counter that needs cold, tile and hosing down, and a dining room that needs warmth and a reason to stay. Put them in one building and one of them always loses.

The idea

Keep the market honest and build the restaurant around it. The counter sits at the centre, in stainless and tile, fully exposed. The dining room wraps it in warmer material and a lower ceiling, so you are always eating in sight of what you are eating.

The result

The counter sells all day and the tables fill from noon, and neither pretends the other is not there. The room does the selling — nobody had to write the word fresh on a wall.

01 — Arrival. Stone, water and timber before the first table: the street is left behind in three steps.
01 — Plan. Market counter at the centre, dining wrapped around it, service entering from the north.

Ventilation and drainage set the plan before aesthetics got a vote. The wet zone is a single hosed-down slab with its own falls and extract; everything warm sits outside that line, on a dry floor, and the two never negotiate.

02 — The room. Black structure above, hanging green, terrazzo below: the high ceiling is brought down with plants, not with a false ceiling.
02 — Counter. Stainless and tile, detailed for a hose and a decade.
03 — The wine bar. Cool terrazzo under the elbow, lit bottles behind: here the wait is part of the place too.
03 — Dining edge. Where the wet floor stops, the oak starts — a hard line, deliberately visible.

Light does the separation the walls do not. The market is lit cold and bright so the fish reads true; the dining room is two stops warmer and lower, and the transition happens in a metre.

04 — Lunch service. The counter still trading while the tables are full.
Seafood Market — lunch service around the counter

Material choice was governed by salt and water. Marine-grade fixings, sealed concrete, tile to two metres — the parts that get wet were specified to be replaced, not preserved.

04 — The mural. A fish in two strokes takes the whole wall and gives the conversation a backdrop, asking nothing of it.
05 — The hard line. Wet floor to dry, tile to oak, in a single detail.
We drew it. We built it.
Full photo set on Behance ↗